Early reggae
Early reggae, sometimes dubbed "skinhead reggae" due to its popularity among the working class subculture in the UK, started in the late 1960s, as the influence of funk music from American labels such as Stax began to permeate the playing of studio musicians. The characteristic defining early reggae from rock steady is the "bubbling" organ, a percussive style of playing that brought to closer light the eighth-note subdivision within the groove. The guitar "skanks" on the second and fourth note of the bar were more frequently doubled up in recording studios using electronic tape echo effects, thus complementing the double-time feel of the organ bubble. Overall more emphasis was on the groove of the music; the growing trend of recording a "version" on the B-side of a single produced countless instrumentals led by a horn or organ.
Major skinhead reggae artists include John Holt, Toots & the Maytals, The Pioneers and Symarip. Cover versions of Motown, Stax and Atlantic Records soul songs were common in skinhead reggae, reflecting the popularity of soul music with skinheads and Mods.
Roots reggae
Roots reggae is a spiritual type of music whose lyrics are predominantly in praise of Jah (God). Recurrent lyrical themes include poverty and resistance to government and racial oppression. Many of Bob Marley's and Peter Tosh's songs can be called roots reggae. The creative pinnacle of roots reggae was in the late 1970s[citation needed] with singers such as Burning Spear, Gregory Isaacs, Freddie McGregor, Johnny Clarke, Horace Andy, Ijahman Levi, Barrington Levy, Big Youth, and Linval Thompson, and bands like Culture, Israel Vibration, the Meditations, and Misty in Roots, teaming up with various studio producers including Lee 'Scratch' Perry and Coxsone Dodd. Musically, on the song "Roots, Rock, Reggae" Marley devised a new style of "off beat" music where a bar of six beats is played, with the guitar skanking on the fourth and sixth beat. Although entirely separate from the beats of ska, rock steady, reggae, skank, flyers, rockers and all later styles, this unique beat seems to have been so closely associated with Marley that few others adopted it.
Dub
Dub is a genre of reggae that was pioneered in the early days by studio producers Lee 'Scratch' Perry and King Tubby. It involves extensive remixing of recorded material, and particular emphasis is placed on the drum and bass line. The techniques used resulted in an even more visceral feel described by King Tubby as sounding "jus’ like a volcano in yuh head." Augustus Pablo and Mikey Dread were two of the early notable proponents of this music style, which continues today.
Rockers
The rockers style was created in the mid-1970s by Sly & Robbie. Rockers is described as a flowing, mechanical, and aggressive style of playing reggae.[14] One article calls the rockers era the "Golden Age of Reggae".
Lovers rock
The lovers rock subgenre originated in South London in the mid-1970s. The lyrics are usually about love. It is similar to rhythm and blues. Notable lovers rock artists include: Gregory Isaacs, Freddy McGregor, Dennis Brown, Maxi Priest and Beres Hammond.
Early reggae, sometimes dubbed "skinhead reggae" due to its popularity among the working class subculture in the UK, started in the late 1960s, as the influence of funk music from American labels such as Stax began to permeate the playing of studio musicians. The characteristic defining early reggae from rock steady is the "bubbling" organ, a percussive style of playing that brought to closer light the eighth-note subdivision within the groove. The guitar "skanks" on the second and fourth note of the bar were more frequently doubled up in recording studios using electronic tape echo effects, thus complementing the double-time feel of the organ bubble. Overall more emphasis was on the groove of the music; the growing trend of recording a "version" on the B-side of a single produced countless instrumentals led by a horn or organ.
Major skinhead reggae artists include John Holt, Toots & the Maytals, The Pioneers and Symarip. Cover versions of Motown, Stax and Atlantic Records soul songs were common in skinhead reggae, reflecting the popularity of soul music with skinheads and Mods.
Roots reggae
Roots reggae is a spiritual type of music whose lyrics are predominantly in praise of Jah (God). Recurrent lyrical themes include poverty and resistance to government and racial oppression. Many of Bob Marley's and Peter Tosh's songs can be called roots reggae. The creative pinnacle of roots reggae was in the late 1970s[citation needed] with singers such as Burning Spear, Gregory Isaacs, Freddie McGregor, Johnny Clarke, Horace Andy, Ijahman Levi, Barrington Levy, Big Youth, and Linval Thompson, and bands like Culture, Israel Vibration, the Meditations, and Misty in Roots, teaming up with various studio producers including Lee 'Scratch' Perry and Coxsone Dodd. Musically, on the song "Roots, Rock, Reggae" Marley devised a new style of "off beat" music where a bar of six beats is played, with the guitar skanking on the fourth and sixth beat. Although entirely separate from the beats of ska, rock steady, reggae, skank, flyers, rockers and all later styles, this unique beat seems to have been so closely associated with Marley that few others adopted it.
Dub
Dub is a genre of reggae that was pioneered in the early days by studio producers Lee 'Scratch' Perry and King Tubby. It involves extensive remixing of recorded material, and particular emphasis is placed on the drum and bass line. The techniques used resulted in an even more visceral feel described by King Tubby as sounding "jus’ like a volcano in yuh head." Augustus Pablo and Mikey Dread were two of the early notable proponents of this music style, which continues today.
Rockers
The rockers style was created in the mid-1970s by Sly & Robbie. Rockers is described as a flowing, mechanical, and aggressive style of playing reggae.[14] One article calls the rockers era the "Golden Age of Reggae".
Lovers rock
The lovers rock subgenre originated in South London in the mid-1970s. The lyrics are usually about love. It is similar to rhythm and blues. Notable lovers rock artists include: Gregory Isaacs, Freddy McGregor, Dennis Brown, Maxi Priest and Beres Hammond.